#lingorm[超话]# 😐#lingorm#

以下是我个人想出的几点诉求 趁着现在的风头话题 可以把诉求提了 可以补充 英文版的也补充了 但泰语部分可能需要一些老师来翻译

一、关于粉丝演唱会的主体定位问题

明年度粉丝演唱会应明确以 LingOrm 作为唯一主体进行策划与举办，而非与其他艺人进行拼盘式安排。LingOrm 已具备独立的市场号召力与稳定的粉丝基础，拼盘形式容易弱化组合定位，也难以回应粉丝的核心期待。（如果是拼盘演唱会，那就请不要以lingorm双人的名义宣传，欺骗消费者权益，los只为lingorm花钱，既然用了那就只有lingorm作为主体出演者）

二、关于三搭期间双人内容的工作安排

三搭期间的宣传与内容输出，应以 LingOrm 双人合作内容 为核心方向，避免资源分散或角色弱化：
（1）优先安排双人 Reaction、双人综艺节目及双人访谈；
（2）不应以牺牲 LingOrm 时间与精力为代价，为其他艺人或组合录制非必要节目；
（3）LingOrm 的合作价值应服务于其自身作品与品牌建设，而非被用于托举或补足他人曝光。

三、关于专业团队配置与影像输出质量

请为 LingOrm 配置稳定、专业且具备执行力的专属团队，尤其是在影像与宣传层面：
（1）配备专业摄影、出图及视觉团队，并使用专业设备；
（2）在重要公开活动或高曝光场合（如巴黎时装周等国际活动），应安排专业团队随行；
（3）确保高质量影像的稳定输出，以维护艺人的职业形象与国际曝光水准。

四、关于三搭期间创作时间与工作节奏的保障

三搭期间应合理控制工作节奏，保障艺人专注创作的必要空间：
（1）给予 LingOrm 足够时间沉下心打磨剧本与完成拍摄；
（2）除必要商务活动外，避免频繁安排额外节目录制，防止对作品质量造成影响。

五、关于三搭作品制作投入与整体品质

在三搭项目制作方面，希望贵公司给予与市场期待相匹配的投入：
（1）取景尽量尊重原著设定，优先实景或高度还原拍摄；
（2）在关键场景、服装、妆造、取景等方面进行合理资金投入；
（3）对配乐（BGM）与整体氛围营造进行重点考量；
（4）LingOrm 为公司创造的商业收益，应有合理比例回流至其作品与职业发展中。

六、关于公平对待与艺人人身安全保障

我们不要求特殊待遇，但希望获得基本且公平的职业保障：
（1）提供合理的拍摄与制作资金；
（2）配置专业团队及必要安保力量；
（3）切实保障艺人在拍摄、活动及日常行程中的人身安全。

七、关于见面会及线下活动的安全管理

在举办粉丝见面会及线下活动时，请将艺人人身安全放在首位：
（1）提前审核主办方资质与执行能力；
（2）评估现场安全风险并制定应对方案；
（3）避免因管理疏忽对艺人造成安全隐患。

八、关于 LingOrm 相关内容发布与平台差异问题

针对 LingOrm 官方物料与幕后内容的发布机制，我们提出以下疑问与诉求：
（1）为何 LingOrm 的幕后及花絮内容需通过会员机制观看，而其他艺人的同类内容可在官方 App 或 YouTube 免费发布；
（2）为何 LingOrm 的官方物料、幕后内容数量明显不足；
（3）此前见面会中已拍摄完成的花絮内容，长期未发布的原因是什么；
（4）希望贵公司明确内容发布标准，并进行必要调整，以体现公平原则。

九、关于艺人名誉权及私生行为的应对态度

请贵公司在艺人权益保护方面采取更明确的立场：
（1）对恶意攻击、造谣、中伤艺人的行为，是否可通过官方声明或法律途径应对；
（2）对多次警告仍不改正、严重影响艺人生活与安全的私生行为，是否可在法律允许范围内采取更严肃措施；
（3）切实维护艺人的名誉权、隐私权及其他合法权益。

十、关于 LingOrm 官方 Office 运营、数据认定及成绩归属问题
针对 LingOrm 官方运营与数据呈现问题，我们提出以下明确诉求：
（1）作为 LingOrm 官方 Office，其职能应明确为只服务于 LingOrm 本身，不应因私心或其他考虑，夹带式宣传或推广无关艺人；
（2）对于粉丝通过长期、自发、持续努力所取得的数据成绩（如趋势、话题、榜单等），官方应给予明确肯定与支持，在必要情况下可主动参与或带头推动趋势，形成良性互动；
（3）对于 LingOrm 及紫色粉丝团所取得的阶段性成果与里程碑成绩，官方应发布经核实、准确、可追溯的正式数据说明，而非长期仅由粉丝自行宣传；
（4）明确拒绝一切“蹭流量”行为。属于 LingOrm 的成绩，应完整、独立呈现，我们不接受将其真实业绩与不相关艺人进行捆绑、共享或模糊处理；
（5）LingOrm 的实绩归属问题，关乎艺人品牌价值与职业尊严，希望贵公司给予应有的尊重与边界意识。
（6）LingOrm 粉丝团体的资源与投入，只会用于支持 LingOrm，不会为其他艺人买单或提供资源支持，官方应尊重粉丝意愿并保障这一立场。

十一、关于 LingOrm 相关影视作品选角与资源纯度问题
针对 LingOrm 相关剧集及影视项目，我们在此明确并郑重表达立场：
（1）我们坚决反对在以 LingOrm 为主演或核心的项目中，强行加入与剧情发展、原著设定或作品整体定位无关的艺人。
（2）我们明确反对以 LingOrm 已经验证的热度与市场成绩为代价，刻意捧新人或为其他艺人铺路。
（3）LingOrm 相关作品的选角应完全以剧情需要、角色匹配度以及作品整体质量为标准，而不应受到资源交换、内部倾斜或非创作因素的干扰。
（4）请充分尊重观众与粉丝最基本的观剧体验，避免因不合理的选角安排影响作品口碑，进而损害艺人的长期发展。

英文版
I. Regarding the Main Role in Fan Concerts
The fan concert next year should be exclusively organized with LingOrm as the main act, not in combination with other artists. LingOrm has sufficient independent market appeal and a stable fan base. A mixed lineup would dilute the group’s positioning and fail to meet the core expectations of fans.

II. Regarding Dual-Content Work Arrangements During “Three Together” Projects
During the “Three Together” period, content and promotion should focus on LingOrm as a duo to avoid dispersing resources or weakening their role:
(1) Priority should be given to dual reactions, duo variety shows, and joint interviews;
(2) LingOrm’s time and energy should not be sacrificed to record unnecessary content for other artists or groups;
(3) LingOrm’s collaboration value should serve their own works and brand development, not to boost others’ exposure.

III. Regarding Professional Team Allocation and Visual Output Quality
Please provide LingOrm with a stable, professional, and dedicated team, especially for visual and promotional work:
(1) Equip them with professional photography, visual teams, and appropriate equipment;
(2) For major public appearances or high-exposure events (e.g., Paris Fashion Week), a professional team should accompany them;
(3) Ensure consistent, high-quality visual output to maintain the artists’ professional image and international exposure.

IV. Regarding Creative Time and Work Pace During “Three Together”
Work schedules should be reasonable, providing the artists with sufficient space to focus on creative work:
(1) LingOrm should have enough time to refine scripts and focus on filming;
(2) Apart from necessary business activities, avoid frequent additional recordings that may affect the quality of their work.

V. Regarding Production Investment and Overall Quality of “Three Together” Projects
We expect production investments to meet market expectations:
(1) Locations should respect the original settings, preferably using original or highly faithful real-life locations;
(2) Reasonable funding should be allocated for key scenes, costumes, makeup, and set design;
(3) BGM and overall atmosphere should be carefully considered;
(4) A portion of the commercial revenue generated by LingOrm should be reinvested in their works and professional development.

VI. Regarding Fair Treatment and Personal Safety
We do not request special treatment, but basic and fair professional protections are expected:
(1) Provide reasonable funding for filming and production;
(2) Assign professional teams and necessary security personnel;
(3) Ensure the artists’ personal safety and work security during filming, events, and daily activities.

VII. Regarding Safety Management of Fan Meetings and Offline Events
For fan meetings and other offline events, the artists’ personal safety must be the top priority:
(1) Review the qualifications and capability of the event organizers in advance;
(2) Assess on-site safety risks and prepare appropriate contingency plans;
(3) Prevent potential hazards caused by management negligence.

VIII. Regarding LingOrm-Related Content Release and Platform Discrepancies
We raise the following questions regarding the release of official LingOrm materials:
(1) Why are LingOrm’s behind-the-scenes content and footage only available via paid membership, while similar content for other artists is freely available on the official app or YouTube?
(2) Why is the amount of official LingOrm content and behind-the-scenes material significantly less?
(3) Why have the behind-the-scenes clips from previous fan meetings, which were filmed by the artists, not yet been released?
(4) We request a clear explanation of content release standards and adjustments where necessary to ensure fairness.

IX. Regarding Protection of Reputation and Handling of Stalker Behavior
We request a clear stance on protecting the artists’ rights:
(1) For malicious attacks, slander, or defamation, can official statements or legal actions be taken to respond?
(2) For repeated, uncorrected, and seriously disruptive stalker behavior, can stricter measures be taken within legal boundaries?
(3) Ensure the protection of the artists’ reputation, privacy, and other legal rights.

XI. On Casting Decisions and the Integrity of LingOrm’s Projects
Regarding dramas and other screen projects led by LingOrm, we would like to state our position clearly and firmly:
(1) We strongly oppose forcing unrelated or unnecessary performers into projects where LingOrm are the leads or the core focus, especially when such casting has no relevance to the storyline, the original work, or the overall direction of the project.
(2) We firmly reject using LingOrm’s popularity and proven market performance as a tool to aggressively promote newcomers or to pave the way for other artists.
(3) Casting decisions in LingOrm-related projects should be based solely on the needs of the story, the suitability of the roles, and the overall quality of the production—not on internal favoritism, resource trading, or agenda-driven arrangements.
(4) We ask that the basic viewing experience of audiences and fans be respected, and that the long-term reputation of both the project and the artists not be compromised by unreasonable or poorly justified casting choices.