拾萬北京｜爱与偶然｜丁世伟《碑的解剖》

丁世伟｜Ding Shiwei
碑的解剖 | Anatomy of the Monument
装置｜Installation
录像/19寸LCD /显示器驱动模块/偏振膜/铝型材/烤漆铝板/铝板/仿真植物/仿真手臂/布料/电源线/电源/尺寸可变｜Video/19-inch LCD Screen/Display Driver Module/Polarizing Film/Aluminum Profile/Painted Aluminum Plate/Aluminum Plate/Artificial Plants/Artificial Arms/Fabric/Power Cable/Power Supply/Dimensions Variable
3+2AP
2024

《碑的解剖》试图传达一种永恒感，但并不是指时间的无尽延续，而是指一种不断重复的历史循环和对意义的不断解构中。手握箭头的动作象征着人类在历史进程中不断试图掌握命运的努力，而箭头本身则象征着技术和知识的指引。然而，这一动作也隐含着失败的必然性：在试图掌控历史的过程中，人类使得自己沦为自身创造物的奴隶。关于纪念碑中生长出的“草”，是生命的韧性和希望，但同时，它们也是塑料的和人工的，连希望和循环本身也是可以伪造的。在伪造的希望不断的涌进新的历史进程中，“永恒”在缓慢变质。
Anatomy of a Monument seeks to evoke a sense of eternity—not as an infinite extension of time, but as a condition shaped by the repetitive cycles of history and the continual unraveling of meaning. The gesture of holding an arrow suggests humanity’s persistent attempt to grasp and direct its own destiny, while the arrow itself stands as a marker of technological and epistemic orientation. Yet embedded within this gesture is the inevitability of failure: in seeking to command history, humanity becomes subordinate to its own instruments. The “grass” emerging from the monument signals both resilience and the persistence of life. At the same time, it is artificial—plastic, fabricated—so that even hope, and the very notion of recurrence, appears subject to simulation. As such fabricated forms of hope continue to enter and shape new historical processes, the idea of “eternity” itself begins to slowly deteriorate.

展览：爱与偶然
艺术家：丁世伟、金亚楠、秦晋、仇世杰、杨洋、阎洲、翟宇辉
展期：2026年4月29日 — 5月16日
地址：北京市朝阳区798艺术区798东街D10 
Exhibition: LOVE AND CHANCE
Artists: Ding Shiwei, Jin Yanan, Qin Jin, Qiu Shijie, Yang Yang, Yan Zhou, Zhai Yuhui
Duration: April 29, 2026 - May 16, 2026
Address: D10, 798 East Street, 798 Art District, Chaoyang District, Beijing

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